Therein, the filmmaker explores what he called aesthetics of hunger, which is the exposition of a specific reality, care the misery and violence to which some of the Brazilian population is subjected to, through images that try to cause tenderness: In the early 1960s, Glauber Rocha summarized the concerns of the sign phase of Cinema Novo in his Fanonian-inspired manifesto, An aesthetical of Hunger, as well as known as An Aesthetic of Violence. In this manifesto he wrote: hunger in Latin Am erica is not exclusively an alarming sympto! m; it is the sum of money of our society. Herein lies the tragical originality of Cinema Novo in relation to land cinema. Our originality is our hunger and our greatest misery is that this hunger is felt only not intellectually understood Rocha is speaking not of real violence in a revolutionary touch, but sort of of an aesthetic of violence, a metaphorical usage of violence in a situation (Johnson 95)....If you want to get a skilful essay, order it on our website: BestEssayCheap.com
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